-
1 outside
1.
noun(the outer surface: The outside of the house was painted white.) exterior
2.
adjective1) (of, on, or near the outer part of anything: the outside door.) exterior2) (not part of (a group, one's work etc): We shall need outside help; She has a lot of outside interests.) externo3) ((of a chance etc) very small.) ínfimo, remoto
3.
adverb1) (out of, not in a building etc: He went outside; He stayed outside.) fuera, afuera2) (on the outside: The house looked beautiful outside.) por fuera
4.
preposition(on the outer part or side of; not inside or within: He stood outside the house; He did that outside working hours.) fuera- outsider- at the outside
- outside in
outside1 adv fuera / afueracome outside! ¡sal para fuera! / ¡sal afuera!outside2 n exterioroutside3 prep1. fuera dethey live outside Barcelona viven fuera de Barcelona / no viven dentro de Barcelona2. delante de2 SMALLBRITISH ENGLISH/SMALL (when driving) derecha1 (gen) fuera de2 (beyond) más allá de, fuera de3 (other than) aparte de, fuera de1 (gen) fuera, afuera1 (exterior) exterior2 (external) externo,-a3 (remote) remoto,-a4 (greatest possible) mayor, sumo,-a, más alto,-a\SMALLIDIOMATIC EXPRESSION/SMALLat the outside como máximo, como muchooutside broadcast transmisión nombre femenino desde fuera de los estudiosoutside call llamada exterioroutside lane (on motorway - driving on left) carril nombre masculino de la derecha; (- driving on right) carril nombre masculino de la izquierda 2 (on racetrack) calle nombre femenino exterioroutside left SMALLSPORT/SMALL extremo izquierdaoutside line línea exterioroutside right SMALLSPORT/SMALL extremo derechathe outside world el mundo exterioroutside [.aʊt'saɪd, 'aʊt.-] adv: fuera, afueraoutside adj1) : exterior, externothe outside edge: el borde exterioroutside influences: influencias externas2) remote: remotoan outside chance: una posibilidad remotaoutside n1) exterior: parte f de afuera, exterior m2) most: máximo mthree weeks at the outside: tres semanas como máximo3)from the outside : desde afuera, desde fueraoutside prep: fuera de, afuera deoutside my window: fuera de mi ventanaoutside regular hours: fuera del horario normaloutside the law: afuera de la leyadj.• afuera adj.• ajeno, -a adj.• forastero, -a adj.• fuera de adj.adv.• afuera adv.• defuera adv.• fuera adv.n.• corteza s.f.• exterior s.m.• sobrefaz s.f.• superficie s.f.prep.• fuera de prep.
I 'aʊt'saɪd1)a) ( exterior part) exterior m; ( surface) parte f de fuera or (esp AmL) de afueraon the outside she appeared very calm — aparentemente estaba muy tranquila, por fuera parecía muy tranquila
b) ( of road)he overtook me on the outside — me adelantó por la izquierda; ( in UK etc) me adelantó por la derecha
2) the outsidea) (of group, organization)to be on the outside looking in — ser* un mero espectador
seen from the outside — visto desde fuera or (esp AmL) desde afuera
b) ( of prison) (colloq) fuera, afuera (esp AmL)3)at the (very) outside — como máximo, a lo sumo
II
a) ( place) fuera, afuera (esp AmL)b) ( outdoors) fuera, afuera (esp AmL)what's it like outside? — ¿qué tiempo hace (a)fuera?
c) ( indicating movement)to run outside — salir* corriendo
III
a) ( of a place) fuera deb) ( beyond) fuera dec) ( in time)
IV
adjective (before n)1)a) (exterior, outward) exteriorb) ( outdoor) < toilet> fuera de la vivienda, exterior; < swimming pool> descubierto, al aire librec) ( outer) exteriorthe outside lane — ( Auto) el carril or (Chi) la pista or (Ur) la senda de la izquierda; ( in UK etc) el carril or la pista etc de la derecha; ( Sport) el carril (AmL) or (Esp) la calle número ocho (or seis etc)
d) ( external) <interference/pressure> externo['aʊt'saɪd]1.ADV fuera, afuera (esp LAm)to be/go outside — estar/salir fuera
2. PREP(also: outside of)1) (=not inside) fuera de, afuera de (LAm); (=beyond) más allá deoutside the city — fuera de la ciudad, en las afueras de la ciudad
2) (=not within) fuera de3. ADJ1) (=exterior) [wall] exterior; [door] que da a la calle; (=outdoors) [patio, swimming pool] descubierto, al aire libre; (=alien) [influence] externo•
the outside lane — (Brit) (Aut) el carril de la derecha; (most other countries) el carril de la izquierda2) (=unlikely)3) (=of another organization, person)outside contractor — contratista mf independiente
4. N1) (=outer part) exterior m, parte f exteriorto overtake on the outside — (Brit) (Aut) adelantar or (Mex) rebasar por la derecha; (most other countries) adelantar or (Mex) rebasar por la izquierda
2) (=maximum)at the (very) outside — a lo sumo, como máximo
5.CPDoutside toilet N — retrete m exterior
* * *
I ['aʊt'saɪd]1)a) ( exterior part) exterior m; ( surface) parte f de fuera or (esp AmL) de afueraon the outside she appeared very calm — aparentemente estaba muy tranquila, por fuera parecía muy tranquila
b) ( of road)he overtook me on the outside — me adelantó por la izquierda; ( in UK etc) me adelantó por la derecha
2) the outsidea) (of group, organization)to be on the outside looking in — ser* un mero espectador
seen from the outside — visto desde fuera or (esp AmL) desde afuera
b) ( of prison) (colloq) fuera, afuera (esp AmL)3)at the (very) outside — como máximo, a lo sumo
II
a) ( place) fuera, afuera (esp AmL)b) ( outdoors) fuera, afuera (esp AmL)what's it like outside? — ¿qué tiempo hace (a)fuera?
c) ( indicating movement)to run outside — salir* corriendo
III
a) ( of a place) fuera deb) ( beyond) fuera dec) ( in time)
IV
adjective (before n)1)a) (exterior, outward) exteriorb) ( outdoor) < toilet> fuera de la vivienda, exterior; < swimming pool> descubierto, al aire librec) ( outer) exteriorthe outside lane — ( Auto) el carril or (Chi) la pista or (Ur) la senda de la izquierda; ( in UK etc) el carril or la pista etc de la derecha; ( Sport) el carril (AmL) or (Esp) la calle número ocho (or seis etc)
d) ( external) <interference/pressure> externo -
2 reference
nounmake [several] reference[s] to something — sich [mehrfach] auf etwas (Akk.) beziehen
make no reference to something — etwas nicht ansprechen
3) (cited book, passage) Quellenangabe, die5) (person willing to testify) Referenz, diequote somebody as one's reference — jemanden als Referenz angeben
reference to a dictionary/map — Nachschlagen in einem Wörterbuch/Nachsehen auf einer Karte
work of reference — Nachschlagewerk, das
* * *['refərəns]1) ((an) act of referring (to something); a mention( of something): He made several references to her latest book; With reference to your request for information, I regret to inform you that I am unable to help you.) der Verweis2) (a note about one's character, ability etc, eg when one applies for a new job: Our new secretary had excellent references from her previous employers.) die Referenz3) (an indication in a book, report etc, showing where one got one's information or where further information can be found.) der Hinweis* * *ref·er·ence[ˈrefərən(t)s]I. nI cut out the article for future \reference ich schnitt den Artikel heraus, um ihn später verwenden zu könnento make \reference to sb mit jdm Rücksprache haltento make \reference to sth etw erwähnen2. (responsibility)terms of \reference Aufgabenbereich m, Zuständigkeiten plwith \reference to what was said at the last meeting,... mit Bezug [o unter Bezugnahme] auf das bei der letzten Sitzung Gesagte,...with particular \reference to sth unter besonderer Berücksichtigung einer S. gento make a \reference to sb/sth auf jdn/etw anspielento make a passing \reference to sb/sth nebenbei auf jdn/etw zu sprechen kommen, jdn/etw nebenbei erwähnenin [or with] \reference to sb/sth mit Bezug [o Bezug nehmend] auf jdn/etwI am writing to you in \reference to your letter of March 15 mit diesem Schreiben nehme ich Bezug auf Ihren Brief vom 15. Märzlist of \references Anhang m, Glossar ntfor future \reference [als Hinweis] für die Zukunftfor future \reference please note that we do need your account number für die Zukunft bitten wir Sie, zur Kenntnis zu nehmen, dass wir Ihre Kontonummer benötigenthe books in that section of the library are for \reference only die Bücher in diesem Teil der Bibliothek sind nur zum Nachschlagen gedachtto have bad/good \references schlechte/gute Referenzen habento ask a company for trade/bank \references ein Unternehmen um Handelsauskünfte/Bankreferenzen ersuchento write sb a glowing \reference jdm ein glänzendes Zeugnis ausstellenletter of \reference Zeugnis nt, Referenz fto give sb a \reference jdm eine Referenz [o ein Zeugnis] ausstellento take up \references Referenzen einholen9. LAW (person) Referenz f; (passing of problem) Vorlage einer Frage an einen Schiedsrichter oder SachverständigenII. vt▪ to \reference sth* * *['refrəns]n1) (= act of mentioning) Erwähnung f (to sb/sth jds/einer Sache); (= allusion, direct) Bemerkung f (to über +acc); (indirect) Anspielung f (to auf +acc)reference to any such delicate issue should be avoided — eine so delikate Sache sollte nicht erwähnt werden
in or with reference to — was... anbetrifft; (Comm) bezüglich (+gen)
reference your letter... (Comm) — mit Bezug auf Ihren Brief...
without reference to age — ungeachtet des Alters
without reference to one's notes — ohne seine Aufzeichnungen zu Hilfe zu nehmen
keep these details for (future) reference — bewahren Sie diese Einzelheiten als Beleg (für später) auf
2) no pl (= act of passing of matter, problem) Weiterleitung f (to an +acc); (of decision) Übergabe f (to an +acc)to give sb a good reference — jdm gute Referenzen or ein gutes Zeugnis ausstellen
a banker's reference —
I've been asked to give him a reference — man hat mich gebeten, ihm eine Referenz zu geben
4) (= note redirecting reader in book, on map etc) Verweis m; (COMM) Zeichen ntSee:→ cross-reference5)(= connection)
to have reference to —this has no/little reference to — das steht in keiner/in kaum einer Beziehung zu
6) (= authority, scope of committee, tribunal) Zuständigkeitsbereich m → academic.ru/74139/term">termSee:→ term7)See:= referee* * *A sto auf akk):(list of) referencesa) Liste f der Verweise,b) Quellenangabe(n) f(pl), Literaturverzeichnis n;mark of reference → A 2 a, A 42. a) Verweiszeichen nb) Verweisstelle fc) Beleg m, Unterlage fd) Stichwort n (in einem Wörterbuch etc)3. Bezugnahme f (to auf akk):have reference to sich beziehen auf (akk);a) Rahmen m (eines Abkommens etc),b) Aufgabenbereich m (eines Ausschusses etc)make reference to sth etwas erwähnen, auf etwas anspielen;in a clear reference to in deutlicher Anspielung aufhave no reference to nichts zu tun haben mit;with reference to him was ihn betrifft7. Berücksichtigung f (to gen)a) Nachschlagebibliothek f,a) zur späteren Verwendung,b) merk dir das in Zukunft10. JUR Überweisung f (einer Sache) (to an ein Schiedsgericht etc)11. Zuständigkeit(sbereich) f(m):12. a) Referenz(en) f(pl), Empfehlung(en) f(pl):for reference please apply to um Referenzen wenden Sie sich bitte an (akk);may I use your name as a reference? darf ich mich auf Sie berufen?b) allg Zeugnis n:c) Referenz f (Auskunftgeber):give references Referenzen angeben;act as a reference for sb jemandem als Referenz dienenC adja) MATH Bezugslinie f,reference value Bezugs-, Richtwert m2. PSYCH Bezugs…:ref. abk1. referee2. reference3. reformed reform.* * *noun1) (allusion) Hinweis, der (to auf + Akk.)make [several] reference[s] to something — sich [mehrfach] auf etwas (Akk.) beziehen
2) (note directing reader) Verweis, der (to auf + Akk.)3) (cited book, passage) Quellenangabe, die5) (person willing to testify) Referenz, diereference to a dictionary/map — Nachschlagen in einem Wörterbuch/Nachsehen auf einer Karte
work of reference — Nachschlagewerk, das
* * *n.Belegstelle -n f.Bezug ¨-e m.Bezugnahme f.Empfehlung f.Hinweis -e m.Literaturangabe f.Referenz -en f.Verweis -e m.Verweisung f. -
3 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
См. также в других словарях:
Our Mutual Friend — Cover … Wikipedia
Our Lady of Fátima — For other uses, see Fatima (disambiguation). Our Lady of Fátima Location Fátima, Portugal Date 13 May 13 October 1917 … Wikipedia
Glossary of contract bridge terms — These terms are used in Contract bridge[1][2] , or the earlier game Auction bridge, using duplicate or rubber scoring. Some of them are also used in Whist, Bid whist, and other trick taking games. This glossary supplements the Glossary of card… … Wikipedia
Glossary of language teaching terms and ideas — Like every other course of study, language teaching requires specialized vocabulary and word use. This list is a glossary for English language learning and teaching using the increasingly popular communicative approach. Accuracy Burnout •… … Wikipedia
Frame of reference — A frame of reference in physics, may refer to a coordinate system or set of axes within which to measure the position, orientation, and other properties of objects in it, or it may refer to an observational reference frame tied to the state of… … Wikipedia
Wikipedia:Reference desk/Miscellaneous — The Wikipedia Reference Desk covering the topic of miscellaneous. Miscellaneous #eee #f5f5f5 #eee #aaa #aaa #aaa #00f #36b #000 #00f miscellaneous Wikipedia … Wikipedia
Centrifugal force (rotating reference frame) — This article is about the fictitious force related to rotating reference frames. For other uses, see Centrifugal force. Classical mechanics … Wikipedia
Glossary of cricket terms — Cricket is a team sport played between two teams of eleven. It is known for its rich terminology.[1][2][3] Some terms are often thought to be arcane and humorous by those not familiar with the game.[4] This is a general glossary of the… … Wikipedia
Wikipedia:Reference desk/Computing — The Wikipedia Reference Desk covering the topic of computing. Computing #eee #f5f5f5 #eee #aaa #aaa #aaa #00f #36b #000 #00f computing Wikipedia:Reference de … Wikipedia
Renaissance philosophy outside Italy — Stuart Brown Italy might justly be described as the home of Renaissance philosophy. Many of the important cultural developments of the period originated in Italy and only gradually spread north and west to other countries. But each of the other… … History of philosophy
Glossary of education-related terms (A-C) — This glossary of education related terms is based on how they commonly are used in Wikipedia articles. This page contains terms starting with A – C. Select a letter from the table of contents to find terms on other pages. NOTOC MediaWiki:Toc: Top … Wikipedia